Reviews of movies, books, games, and whatever other media I may consume.
Review of The Revenant
Get link
Facebook
Twitter
Pinterest
Email
Other Apps
Glib Reviews of Recent Movies.
The Revenant
- Directed by Alejandro González Iñárritu
Like Iñárritu’s last film, “Birdman,” I was sucked in early, then spit out just before the ending. I feel like going back and seeing if his early films fail me in the third act as much as his last few. The film as a whole was quite good, cinematically, the actors were amazing if occasionally too mannered. I mean maybe Tom Hardy’s incoherent mumbling was supposed to be incoherent? Even if that is so; it still took away from an interesting character’s arc. The cinematography, as usual in Iñárritu’s pictures is astounding. Though, I found the Argentinian shot scenes a bit jarring with the much more haunted looking forests than the stuff done in the Rockies, that was supposed to match up. Quibbles though, that. Some stuff was done in a studio in Burnaby also.
For me the simple story gave way to non-story, with the prolonged chase at the end, which was much more paint by numbers than the rest of the true but hardly believable story, as I predicted each moment a few minutes before it happened. Only the final shot of the film, a bold choice that I won’t spoil, kind of makes up for the predictable final battle between people who should be or maybe are already dead. That shot too, is as much an Oscar-bait shot for Leo, as it is a solid Nouvelle Vague-ish choice of ending.
I seem to have a lot of quibbles, but only because otherwise I thought the film which is 2 and a half hours was well paced and conceived. Except for these few areas, the end, and some of the over indulgent acting, purposefully artsy establishing and thematic shots. It could have been a tighter, tauter, more riveting drama than it was. The outstanding cinematography slightly dimmed by self indulgent story telling, and Tom Hardy’s mumblecore performance. Which maybe comes down to the terrible sound mixing that is the norm in Hollywood these days. So many films, you can’t hear the dialogue but are overwhelmed by the rest of the soundtrack. For me this took me out of the film several times, as what the characters were saying seemed to be important, but you couldn’t catch it.
DiCaprio gives a nomination worthy performance, aka he is in an immense amount of pain pretty much throughout the film, and I will be shocked if he doesn’t at least get an odds on nomination for an Academy Award, if not come out with a little golden man statue. If the film were a bit shorter, and a bit less predictable I would be giving it a higher rating even than I do.
There is a better tenser picture in there wrapped in the Director’s self indulgence, and predictable plotting. Very entertaining, and highbrow for current Hollywood: very much worth seeing on a very big screen with a good sound system, but know that Leo goes through a worse arse kicking than Daredevil or Batman, and survives with an equal kind of vengeful drive as any ‘superhero.’
7.8657 Taun-Taunings of your horse to survive the cold, outta 10
Glib Reviews of Movies people have been telling me to watch all year. The Lobster - Directed by Yorgos Lanthimos Since this came out like a year or so ago, everyone who has seen it, and knows me has been telling me how much I would like it. Thus as a master Contrarian, I haven't been arsed to watch it. Really just have not been in the mood for it, or something. But after watching the Super Hero filled Captain America the night before, I needed an art film palate cleanser. The Lobster was as tasty as an actual lobster. I'm a pretty big fan of director Yorgos Lanthimos' previous film Dogtooth, which was one of those pictures where the absurdity is what is riveting, it real but it's not, it's mundane but it's not. Like the best Fassbinder films, this film is about nothing, sort of.... a middle aged guy whose wife leaves him, and because of the particular dystopian society he lives in, he's forced to go live in a hotel an find a new partner. If he does
Glib reviews of movies finally on the Netflix Captain America: Civil War - Directed by the Russo Bros. Now this is an Avengers movie. Everyone is petty, even when they are owning up to civ casualtiesYes it's a very paint by numbers but extremely well paced comic book story, that makes the most of it's two and a half hour running time. The Story would be over in two issues of a comic, maybe three or four with certain modern writers more prone to giving their artists quirky dialogue and sex jokes than punchy punchy scenes. So much punchy punchy in this movie, and better choreographed than most super-movies, with the jump cuts that make the fighting seem fake (ask Jackie Chan about this, wide shots are best for good solid action that makes people wince in pain. jump cuts just scare you.) Any who, like all good comic book team ups, the heroes spend most of their time either having a punchy misunderstanding, or they are tricked by a villain. this movie has both. Most of the
Glib Reviews of Movies on the Netflix Deadpool - Directed by Tim Miller The very first movie I have watched on Netflix in 6 months.....You know given that I’m such a big superhero comics nerd, you’d think all the super-movies out there would thrill me. They are okay. And occasionally they are good, sometimes not very good at all. But I’d say we have enough in this recent wave of them to say the average is pretty average, really. I enjoy watching them, even the crappy ones just because they are my comic books sort of come to life. But mostly I’m disappointed when they aren’t animated. I like comics because of the form more than anything. Graphic narrative storytelling aka comics have always been my first love, go to media to entertain myself. Something about real life versions of super folks though irritates me. Is it the cheesy dialogue? I read and love lots of comics with cheesy dialogue. Really, for me each comic book (or graphic novel) whatever the style of dial
Comments
Post a Comment