Buddha's Rhubarb Of Opinions On Media

Glib Reviews of Recently Released DVDs A Field In England - Directed By Ben Wheatley My expectations of this film were way too high. One of the hottest directors around bites off a bit more than he can chew in “A Field In England.” The film is more like ‘a first film’ than his great first feature, 2009’s “Down Terrace” which is one of my favourites of the last ten years. A field in england tries really hard to capture a Witchfinder General/Cromwell era vibe. Shot in a murky black and white, the film is almost psychedelic. If they had gone a bit more over the top with the trippy stuff, I think the picture would have been more effective.  Some folks of various stations on the battlefield, are caught up in a big battle in said Cromwell era civil war. One of them is an astrologer, who is cagey about why he is out wandering shell shocked, others are conscripts, one even something of a soldier. Eventually they find someone dressed like a musketeer, and it turns out that h

Glib Reviews of Recent DVD Releases Enemy Directed by Denis Villeneuve Cronenberg-tastic ode to creepy as fuck 1970’s movies. Toronto hasn’t looked so terrifying in a long time. (unless maybe you live near Rob Ford, too late, too soon?)  Director Villeneuve makes no mistakes telling the age old tale of “the Evil Twin.” For me personally, these kinds of stories where “the other” turns out to be a doppelganger , or double, these are the stories that get under my skin the most. The idea that there is another exact (or close to) duplicate of me out there, but not me or is me, either way, waaaaughhhh! I used to get mistaken for other people a lot when I was younger, it still freaks me out. It’s no spoiler to tell you that that’s what this tale is, with many cinematic odes, or nuances borrowed from Hitchcock, Truffaut (the whole first part has a real Bride Wore Black Vibe.) Polanski, and of course there is lots and lots of Uber-Dystopic Toronto Cronenberg atmosphere, so much

Glib Reviews Of recent DVD Releases Joe - Directed by David Gordon Green I have been a pretty rabid David Gordon Green fan since seeing his first (and my favourite, still of his films) film, “George Washington” at the Vancouver International Film Festival way back when. His more ‘Hollywood’ pictures starting with “Pineapple Express,” (which- namedrop- in a way long time ago time, and place, I gave notes on a very early draft of that script, given to me by Evan Goldberg) have been funnier, and less small town noir, or indie drama than his first four pictures. “Joe,” his latest; that I have taken a week to getting around to reviewing, is a real return to that early form, albeit in a slicker style, and tone. Nicholas Cage gets to bring that off kilter intensity that he occasionally brings forth when he actually gets a good script. Cage really wears the character’s weariness at having to be an alpha male all the god damned time on his sleeve. A great deconstruction of male

Glib reviews Of recent DVD releases. Tim’s Vermeer - Directed by Teller (from Penn & Teller) An interesting documentary that follow’s Tim Jenison, an inventor and pal of magician/professional debunkers, ‘Penn & Teller,’ as Jenison spends years and a lot of money figuring out how Vermeer was able to reproduce the photographic quality his paintings achieved. Jenison is unwavering in his belief that as many modern painters/art historians have imagined, using some sort of camera obscura or similar lensed contraption. Jenison does a good job of proving his thesis, while including folks who wrote books on the subject, like the excellently snarky David Hockney. I would watch a reality show of Hockney and Jenison speeding through the countryside yakking about art like they do at one point in the film. Maybe they could solve art mysteries together. Dogged as Vermeer himself must have been; Tim proceeds to figure out how to replicate a Vermeer. The creator of the indu